We have all heard about the casual easy life that artists get to live. Get up at noon, have a long breakfast while re-reading Infinite Jest, then meander over to the studio. Late night work with nude models, organic cigarettes and art-house dub-step…
Yeah, not really.
If you’re serious about being an artist you have to pay attention to the details, and push yourself out into the world. This notion that an artist toils away in a rarefied world of exquisite isolation is a wonderful idea, but it doesn’t work. No one is going to just discover you one day, then lift you out of obscurity. Those days are over, and I’m not sure that ever really actually happened. Unfortunately no one is going to do this work for you, so you have to do it yourself. It is a LOT of work to stay in touch with people in your network, to let people know what you’re working on, and to present your work at the appropriate time in the best venue.
Being an artist isn’t just making wonderfully creative work. The hard part is often the execution. If you paint you better have clean brushes, stretched canvases, and access to good framing. You need your tools to make art, and to present it. The same is true in every other discipline. As a photographic artist, I need my gear to be ready. But the most time-consuming work is printing. It takes inordinate amounts of time to find the right paper, to profile it correctly, and then to fine-tune the images until they look they way you envisioned them.
Preparing the Hanjo book right now is even more difficult, because it is a collaboration between several craftspeople. The printer is helping me evaluate different papers and the way the ink penetrates the surface of the hand-made paper. The carpenter is building the very detailed and exquisite boxes, silk screens are applied to the outside, and a book-binder is assembling the leporellos. The graphic lay-out requires fine-tuning, and the business around it needs to be put in place. Display stand, limited edition certificates, and shipping crates are all being made to get everything to Japan in time for Tokyo Photo 2013. Unfortunately none of these people are even in the same city, so everything needs to be shipped back and forth, or picked up and driven half-way across Brandenburg, before it can get on a plane to Asia.
All of this has me pretty frazzled and stressed. This is how I felt yesterday afternoon…
But I’m not complaining loudly. It’s being managed by my publisher at Galerie Vevais, I’m just high strung and hyper nervous. And honestly…? This is the good stuff. This is what it means to be an artist in this genre. Yes, we love to create images, to sketch out new ideas, or to pin mood boards to Pinterest. It’s the emergence of the image from a great data file into the physical world that lifts it into a new realm. I envy my friends who shoot Polaroids or Collodions… they end up with a piece of art much faster.